In 2019 I was involved as environment and assets supervisor on the Farming Simulator 2019 E3 Trailer for Capsule Studio. My role was both to produce the main assets such as vehicles and build the major part of the environments. Within the environment team Camille Roux as junior artist was in charge of producing the assets and Louis Marsaud focused on the time lapse.
On my side I focused on all outside shots from scratch, once the direction was ok Louis Marsaud took the flag on the cotton field sequence to improve even more the shots while I upgraded all the interiors shots. It was a very good challenge since I had to work on all the shots at different degrees to keep to insure a consistent quality of the whole trailer.

In September 2013, I was contacted by a couple of friends, Stephane Montel and Mhamed Elmezoued. They had an idea in mind, using their spare time between commercial projects to work on a personal one, a game trailer.

They chose to make a partnership with a small game studio: Ragequit Corporation. The deal was simple, they let us use their IP to build a trailer while keeping in mind the production constraints : no money, we work on our spare time, etc…
My first role was to redesign the main hero Vector ship and make it ready for production. I had to make the model from game more realistic, by enhancing details shapes, shaders, etc. and adding functionality.

Later some parts of the main design were re-used for the vilain Vector (2nd ship of the trailer). I also helped on some shots for environment design, and lighting.

For those who are interested about the story of this project or the journey of a game trailer we have made a website telling our stories and showing all different steps from first idea to the final release.
Go check it on: http://strikevector.rewind.pictures/

Had the luck to work on all in-game cinematics and the trailer of The Surge 2 as concept designer and assets and environments supervisor for Capsule Studio. This position involved the visual development of each 3 sequences of the trailer and allowed me to create from scratch to final shot a full crossroads of a slum district for the Fight environment. I also worked on the first Dune sequence from scratch, and developed it until I got a basic set dress and lighting, once we where ok with the direction Louis Marsaud continued to upgrade it.
As supervisor I also helped Samy Seffadj on its work on the Street sequence to help him to follow the direction we wanted. It was mainly feedbacks and advices on frame composition, scale management, scene/lighting optimisation and both visual and functional improvement, this task also brought me to directly work on the sequence and upgrade the scene when it was necessary.